aquemini song meaning
However, “Aquemini” felt like an encapsulation of not only the way the rest of the album divided their separate perspectives but also of the eventual trajectory of OutKast; two individuals whom, once they stared into the crystal ball of the future, saw a path in hip-hop much different than the other. By the time Aquemini was due to drop in the fall of 1998, no one knew what to expect from the-soon-to-be-iconic OutKast. Anything we did, it was to impress ourselves. So Dre was thinking, 'What if it was the end of the world and we all needed to meet at the Dungeon?' The Son of Man may not come to crack the sky at this particular time, but He may come in the form of maybe death, where we leave here that way. Well, what do you think? I don't know if it was that song or another where my voice was auto-pitched. He's always been an advocate and DF coach. Big Boi: I took the beat home and I remember I was in my bedroom, and I was like, 'I got the hook!' Dre doesn't spend a lot of money on a lot of stuff, but Dre spent a lot of money on music equipment. They had some chords and I remember feeling like it sounded like War, so I tried to stay away from that. Maybe I'm not transmitting it right but this is cool. The fictional Pimp Trick Gangsta Clique was a lampoon of gooned-out record labels. I always wanted it to come across like it was dimensional, like you could actually put your hands through the song. But instead of spoken word, Big likes to call it "smokin' word." But me and Big always said if something comes across our lap we're gonna fight it. Andre 3000: I was working on the music at home on the piano. By that time we'd gotten to a point where we were in our own world. The politics will come and go left right and center but still through it all the humanity that we must show to each other is not negotiable.". So 'Return of the Gangsta' was trying to give them a sense of, 'Hey, I'm still a regular person. He started pulling our songs. Produced by Ray Murray and Rico Wade, the beat bangs without question. Andre 3000: Sometimes I'm just as surprised by some of this stuff as other people are. But we were for real. I'm like, "This is who?" > “Forever hollering ‘Hootie Hoo!’ when we see cops” —(“Slump”) Looking back, it feels prophetic, and the freedom of later OutKast projects like Speakerboxxx/The Love Below feel impossible without it. Andre 3000: Joi and Peach were like two pistols on your hip they were so reliable, and they would always give you more. Together, these two dimensions, along with some very special guest voices from abroad (Raekwon represents OutKast's first non-Dungeon Family rap collaboration) made one message louder and clearer to the greater hip-hop landscape than ever before: The South got something to say. Andre 3000: With Big Boi standing by me I knew I had to address some of the shit 'cause I can't have my homeboy looking bad. That's how our music was made, and that's why its as timeless as it is. Albums like Kendrick Lamar’s To Pimp a Butterfly and Kanye West’s Yeezus, even for how beautifully sequenced and composed they were, are the furthest thing from easy listens. Ziggy Marley’s new album, More Family Time, is out now on all music streaming platforms. It was subtle on ATLiens, but by the time we got to Aquemini it was like we had two different visions that were [parallel]. He started playing these chords and then we all started vibing out and kicking in, and what you have there is the jam session. But her people felt like it was a slander. It was almost like you just wanted to make sure, 'Goddamn, you still there right?' Getting to the funk. But see, I was trying to be a rapper, so I put a rap to it instead of just talking. The Montgomery, Ala. protest lasted from December 1, 1955 to December 20, 1956. And he let folks know he was still there on this one. Andre 3000: My biggest [instrument] is my mouth. has spawned countless covers, but they're not all bad. “Liberation,” looking back, was more than likely the moment we as listeners should have known OutKast was never destined to last forever. I was like, 'What the fuck is this?' The title track to OutKast’s classic third album acknowledges that all great things must come to an end, but insists that André and Big Boi won’t stop working together until that time comes. On songs like “SpottieOttieDopaliscious” and “Y’All Scared,” the “trap” became an infatuation in the narrative of both artists, even if the concepts within their verses didn’t always match up. The new film Freedom Fighter—part of the 75th anniversary series "Bob Marley Legacy"—examines Marley as a symbol of human rights with a voice more powerful than any politician. Andre 3000: Nathaniel had gotten locked up for a little trouble. You've got a whole world that's backing you. She was in school one day and the teacher asked her what she wanted to be when she grew up, and the answer she gave was, "alive." We would sit around and watch Rico and Ray all the time, and it was just the coolest shit to see them with the cigarette hanging out one hand and just going in on the beat machine - that was an art in itself, not to mention what came out of the machine. Khujo: That's one thing about Big Boi, he is such a team player. A real-life collect call from the bing features inmate and OutKast crony Nathaniel rapping a pungent, a cappella verse about the ills and ironies of doing time: "They treat you like a motherfuckin' slave/Dope fiends find Jesus, swear they saved." Even if it comes from the people. I said, 'Let's just answer the questions and get to it.' On the protests against police brutality: Change is happening. by The singles: “Rosa Parks”; “Skew It on the Bar-B,” feat Raekwon; “Da Art of Storytellin’ (Pt. It was a full song with verses, but they didn't want the words, they just wanted the hook. Andre 3000: After doing the track and hearing where we were going with it, it sounded like a hoe-down, it sounded porchy. And then he started pulling out the songs, like "Tried in the Fire." It was done during Southernplayalisticadillacmuzik. Synopsis: On "Y'All Scared," Big Boi notes, "Even though we got two albums, this one feel like the beginning." He'd go into his world and just get down. Lyrics like, “Faith is what you make it” and “André, this is André, y'all are just gon' have to make amends,” showed that while Big Boi used his past as a compass for the future, André's faith in himself was all he would need. He was in jail for DUI, I think. Aquemini, celebrating its 20th anniversary, is a blessing of an album that stands tall among the best bodies of work music has ever seen. I knew he would pull it off in a funky way. Drew, I'm so proud of him, and the way he has just taken this mantle. Within 16 tracks, Big Boi and André found faith within both their pasts and themselves, confronted their biggest fears, and bookended the emotional transformation of OutKast with two middle fingers. So I was like, "Shit, let's do it." The only way that we could have a voice is [by doing] what we're doing and protesting until we have equality and justice. Peaches and I kinda listened and I started writing. I think I was vibing on some end-of-the-world, last-recorded-song shit. But that's when they had started messing with them guitars and they might've just kept putting them motherfuckers on there. I was going to [form] a group with them. That epic brass break in the middle of Beyoncé’s “Flawless (Remix)”? It was just a real fact. Drew] just in time. Courtesy of LAFACE RECORDS, Explore these rap-related cultural landmarks in Atlanta To call it a concept album would be derivative because that would ultimately limit the scope of what OutKast attempted to do. I was going to have him on there. |, And the Atlanta Falcons could win the Super Bowl And what's crazy is he killed it in like one or two takes. I didn't know what it was, and when he put it up my first thought was like, wow. 'Cause at that time I thought it was way different. The Return is available for streaming on all major platforms. Snoop Dogg will be voting for the first time this year—and he's not the only one. We have always stayed on the course. Mr. DJ: The song started out with a sample of a lady just saying 'No, no, no, no.' On “Y’All Scared,” André’s verse about time lost on drugs reiterated the same notion of the trap; trapped within addiction, trapped within the political discussion of drugs, and, more than anything, trapped within one’s own fears. Big Boi had missed his flight coming to the mastering session and by the time he got there we had kind of already gone through what we thought was a good flow for the album. "Hush that fuss: Everybody move to the back of the bus.". But it was never meant to be a derogatory song towards Rosa Parks.

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